The realm of arts in itself can be perceived as a...

The realm of arts in itself can be perceived as a paradoxical and subjective one, causing struggle for people to come to a universal agreement on what art symbolizes and where its purpose lay. Despite this, we may draw a vague generalisation from the understanding of the majority population that art is a man-made/interpreted existent form, with purpose of communication - such as through words or paintings, to evoke some kind of mental response from an audience, meanwhile some kind of intrinsic quality should be achieved through technique and ideas etc (Lagemaat pg.330 – 333). Yet in the eyes of an artist, Picasso states that the purpose of art is â€Å"a lie that brings closer the truth†. To evaluate this claim, further exploration of what a†¦show more content†¦It is obvious we cannot fly on broomsticks as in Harry Potter, nor (hopefully) are mice conducting experiments on the human race as in The Hitchhiker’s Guide†¦ The vivid imagery and tension of well-written novel can give the illusion of living in another world; this in a way is being periodically deceitful, or essentially, just altering the circumstances. However, even if we follow this rigid definition of a lie, there is still a fine proportion of literary works overlooked. The factual based non-fiction, which includes polemical works, biographies and more, simply does not fit. For example, The Diary of Anne Frank and If this is a man all give a true (if not unbiased) account of the concentration camp, and since skill and interpretation all remain essential in their writing, we cannot dismiss non-fiction as ‘non-artistic’ literature. This suggests Picasso’s quote is somewhat exclusive to the fictional world of literature in art. Nevertheless, the line between art and a lying is a fine one. The qualities for an object to become art in itself may imply lying to a certain extent – lying may even be art, albeit of a lower moral order. Both liar s and authors craft stories so they are worthy of belief—a skill requiring intellectual sophistication and emotional sensitivity. Such parallels are hardly coincidental. Picasso’s claim and the seemingly apparent nature of fiction both appear paradoxical. The latter, ‘paradox of fiction’ emphasizes theShow MoreRelatedOrganisational Theory230255 Words   |  922 Pagestraditions that contribute to our understanding of organizations. Professor Tomas Mà ¼llern, Jà ¶nkà ¶ping International Business School, Sweden . 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